Apr 16, 2014

A guy thing

Mostly Jane, with a touch of Layton, 7 x 9½" watercolor
I have been so privileged my three trips to Statesville to stay in Mabel’s, the charming guest house of friends Jane and Layton Getsinger.

Timing was such on Sunday before I left for Carowinds that I had enough time to do one more watercolor inside the charming guest house. The flashlight on the table is the “touch of Layton” referred to in the title. This is the flashlight Layton gave to me to use for walks at night back and forth to the main house.

My dad bought me a flashlight in 1980 when he and my mother visited me in Minneapolis in 1980. I had just bought my very first property. Dad walked in with the flashlight one day and announced, “I have just made a major improvement to this house.” Flashlights are a guy-thing.

Apr 15, 2014

“Thrill Capital of the Southeast”

Carowinds 2, 12x18" watercolor
NCPAP is the acronym for North Carolina Plein Air Painters, an organization of plein air painters that includes individuals as well as all the various groups of plein air painters in North Carolina. Saturday and Sunday we were invited to paint Carowinds, a huge amusement park on the outskirts of Charlotte. Included here are the two paintings I did that day.

One of the reasons I slowed down on my posts here On the Plein Air Trail is that I have become so regular posting on Facebook. Since many of you see me my posts on Facebook, I wanted to avoid the redundancy of the same work and in some cases the same words. I have decided, phooey on this! Better to have seen twice than not to have seen at all! So to Facebook friends, pardon the repeated posts.
Carowinds 1, 18½ x12½ watercolor

Apr 8, 2014

Front rooms

Front room at Mabel’s, 7x10" watercolor
Here’s looking toward the front window of Jane and Layton’s guest house. It is such a contrast to the chaos that is my front room. Isn’t front room an old way of saying living room? Seems some rooms are more living rooms than front rooms, and conversely, other rooms feel more like front rooms than living rooms. Maybe front rooms got their name as they are the rooms we most want to put in “front” of our guests. In the case of Mabel’s front room, I think it just happens that this is the room at the front of this 100-plus-year-old house.

Jane Getsinger is an artist, who, unlike me, allows her artistic talents to affect and have wonderful influence on all of her surroundings. I tend to stay busy throwing paint around, and either storing paintings here or moving them into other environments. Most of my paintings look better and are happier in other folks’ homes. Just a suggestion. ;-)

All are invited to attend my solo exhibition, North Carolina: Statesville and beyond, opening Friday evening at Iredell Museums in Statesville. For details, visit the Events section of my web site.

Mabel’s, 9x12" oil on panel

Apr 7, 2014

Sleeping around

To bed with the chickens, 7x10" watercolor
In the eighties, I wouldn’t dream of crashing at anyone’s house. I thought, back then, that this is something only college kids do. It was the eighties, the era of overabundance. Now I find myself an artist in the 21st century, and very willing to accept the hospitality that seems to run rampant in the South.

The folks I stayed with for on a Friday night in late March, Duffy and Elizabeth Healey, are an artist couple, Southern, but Southern Californian. I accepted their generous offer to sleep in Elizabeth’s studio. See Elizabeth’s wonderful watch dogs who guarded me. See her other wonderful works at http://elizabethlaulhealey.com/

That Saturday night I stayed in Statesville in the guest house of artist Jane Getsinger. I had to take chickens off the bed so I could crawl in that night.

Mar 15, 2014

Apr├ęs hiatus

Late winter warm-up, 7x10" watercolor
Since I last posted on this blog, I have done many plein air oils, but only two small watercolors on location, and one of them is an interior. I may share them with you at some point. Over the last two months The Little Art Gallery in Raleigh has sold ten of my small plein air watercolors and two of my larger ones. This will inspire me to turn out some new ones. Milder temperatures will make this more enjoyable.

Yesterday in Raleigh, I painted two of the Krispy Kreme® doughnut shop at the intersection of Peace and Person Streets. Today’s featured painting is one of them.

Nov 30, 2013

On the campaign trail


Cavalier King Charles on his throne, 6x8" watercolor
Cavalier King Charles, three views, 6x8" watercolor
The tough thing I’ve found about campaigning is you have to keep asking people to vote for you. I will be so happy when the end of this day is here, and I can stop asking people to give me a Like in the BoldBrush Painting Competition. I think I’ve come up with at least ten instructions on how to cast your vote for my painting, and the one that seems the easiest to understand is the one my nephew Chris posted on Facebook,

Please help my aunt out...click on the link and hit like. Thanks!!!

http://faso.com/boldbrush/painting/57348


The painting in the competition is an oil, not the painting above. Because this is a blog about plein air painting, I decided the featured painting should be one that was at least painted on location. The paintings of the Cavalier King Charles above is the pet dog of a friend’s grandson.

If you cast your Like for me today or if you already have, I give you my sincere thanks.

Nov 29, 2013

After dinner painting

Wilkins’ Home at Christmastime, 7x9 ½ watercolor
I have asked myself why in the winter I do fewer plein air watercolors. Can’t answer that. An oil painting generally takes longer. Since I get out there with little hesitation to do oil paintings in winter months, the misery of standing out in the cold is not a good alibi. Maybe it’s because winter colors tend to be more somber, and my watercolors are more whimsical in their approach.

Nonetheless, I managed to get one watercolor done after dinner yesterday. I went to this house thinking I’d paint the giant turkey balloon I’d seen in the yard. What I found instead were Christmas trees, Core Sound Christmas trees — lots of them. The entire extended family was out in the yard, each family member with their own tree. Several rows of trees, representing the different generations of family, were positioned. I was told by one of the family members that this is a Thanksgiving ritual and now a family tradition.